Exhibition Karina Bisch. Her head in the background

For almost 25 years, the artist has been reinvesting modernist motifs, not to quote them, but to circulate and mutate them in the contemporary context. His work, situated at the intersection of art, architecture and design, interrogates form as a dynamic structure capable of traversing epochs while renewing their symbolic charge. The exhibition presents a varied body of work - a series of small-scale paintings, a monumental work, a tapestry and textile creations - set within the framework of an immersive mural, designed specifically for the museum's museographic spaces.

Works by Fernand Léger (drawings, tapestries, etc.), selected by Karina Bisch herself, punctuate the tour. The link with Fernand Léger is built around the power and plasticity of forms. Like Léger, Karina Bisch explores the potential of the decorative not only as ornament but as an autonomous language, capable of generating meaning and reshaping space.

This exhibition is not simply a juxtaposition of works, it is a theoretical space where forms, through their circulation and reactivation, produce a dialogue between different temporalities. Here, the decorative becomes a vector for critical thought about the way in which forms construct our perception of time and space.