Description
Blending breakdance with African urban dance traditions, this piece transforms the denunciation of colonial history into a burst of festive energy—a hymn to life.
Since her first stays in the Democratic Republic of Congo and collaborations with choreographer Faustin Linekula, Anne Nguyen has maintained a close connection with Africa. In Matière(s) Première(s), created in 2023, she explores urban dances and music born in African streets. Styles such as Côte d’Ivoire’s coupé-décalé, Congo’s ndombolo, and Cameroon’s mbolé, now danced worldwide, draw on local traditions while reflecting modern cultural exchanges. These dances assert cultural identity and resist Western domination.
The “raw materials” referenced in the title extend beyond gestural language, encompassing the colonial exploitation of natural resources and harsh economic forces imposed on these countries. In response to these violences, the six performers deliver an explosive fusion of styles and techniques. Their interwoven movements create a striking initiatory journey through realities and imagination alike.
Creative Team & Performers
Choreography: Anne Nguyen
Assistant Choreographer: Pascal Luce
Artistic Advisor: Didier Boko
Performers: Ted Barro Boumba (“Barro Dancer”), Dominique Elenga (“Mademoiselle Do’”), Mark-Wilfried Kouadio (“Willy Kazzama”), Joseph Nama (“Jo Kiero”), Nahoua Traore (“BLACK WOMAN”), Seïbany Salif Traore (“Salifus”)
Lighting Design: Matthieu Marques, Marie Ducatez
Costumes: Simon Huet
